Photography and documentation by Johan Österholm. Installation views from Stora Salen at Färgfabriken, Stockholm

Works and installations in Okänt Land:

Nima, no. I–X, 2022
walnut tree and linen thread, installed as suspended sculptures in pairs

Under the carpet / Under Mattan, no. I–VII, 2022
Go and hide my eyes  /  Gå och göm mina ögon
Bring me my eyes  /  Hämta mina ögon
Go and hide my ears  /  Gå och göm mina öron
Bring me my ears  /  Hämta mina öron
acrylic and pigment on linen, painting

In Departure, 2022
fragments of concrete, iron, walnut tree, granite, poppy flower pigment, pomegranate pigment, copper, dried rose, and video

Transparent Body, 2022
video (10:05 min)

Opaque Body, 2022
video (3:55 min)

Siah-o Sefid, 2022
(Black and White) installation of painting and ready-made sculpture, based on childrens’ animated stop motion film, ir. early 1970s

Aabi, 2020, 2022
immersive blue velvet textile installation with 4-channel audio produced for Färgfabriken (Aabi, 2022, 22:00 min)

〈 SOLO EXHIBITIONS 〉

09. APRIL – 08. MAY 2022
Okänt Land, Beckers Stipendiatutställning 2022
Höganäs Museum och Konsthall, Höganäs

05 FEBRUARY–27 MARCH 2022
Okänt Land, grant exhibition
Becker Art Award 2022
Beckers Konstnärsstipendium 2022
Stora salen, Färgfabriken, Stockholm

Thank you / Varmt Tack 

Lindéngruppen and the jury
Färgfabriken, Stockholm
Pernilla Lesse (Verksamhetschef)
Emilia Rosenqvist (Curator)
Elsa Isaksson (Projektledare)
Lina Josefina Lindqvist (Grafisk formgivare)
Johan Österholm (Fotografi)
Oscar Lindblom (Teknik, installation)
Märta Thisner (Porträtt, fotografi)
Oscar Andersson & Hansjörg Ehammer (Snickeri)
Frida Hamberg Stén (Textilhantverk)
David Strid (Ljudkomposition)
Bergevall Ram